
The Railway Porters
I visited the Oakland Museum last Thursday on the eve of Christmas Eve. It was a delightful experience just visiting the museum at the edge of Downtown Oakland. The weather was cool but clear and Oakland just has a much more blue-collar easier pace about it. And the day before Christmas Eve mayhem was the perfect day to escape the hustle and bustle of the City.
The main reason for my visit was of course to see the PIXAR show because it was going to wrap up January 9th. I tried to get a group of student who were interested in going with me over the holidays to carpool together, but the week was as messy as the weather, and seems like there was little response from anyone in the world of Burton.
As it turned out, the museum is a gorgeous combination of people’s history and art and innovations in technology. Many of the exhibits in the History wing featured audio recordings, looped video or slideshows, and hands-on pieces. The curators intended for visitors to interact with the history and people. The effect was the people and times were brought to life as you moved from one time period to another. I was already captured by the opening piece as you entered the History galleries. It was video installment on a huge screen about the people of Oakland and their stories. You could sit down and watch the pieces at any point in the video and get a preview of the history you would find inside the wing.
The Art wing was provocative and beautiful, never losing sight of the people behind the artwork. The gallery was divided up in three sections: Places, People and Innovation. Each gallery focused on defining the theme through a variety of works ranging from landscapes to abstract mapping pieces. There was a huge touch-screen table with a screen displaying a map of California that you could tap and drag to learn more about specific places. Paintings ranged from the WPA era to landscapes to abstract and modern. I found the exhibit on f64 club to be most lingering. This was a small gallery of black and white photos displaying people, places and objects captured with the smallest possible aperture. Images looked extremely sharp and detailed, especially with the silver quality of the prints.
Finally, the PIXAR exhibit. I had to wait an hour to get inside since entrance depended on whether I pre-ordered my ticket or when I bought them at the entrance. The experience was well worth the wait, as I not only got to check out the other galleries, but I got to see so much of the production and development that goes into an animation project. From PIXAR’s early beginnings, with some reference to Eadweard Muybridge who used photography to create what will become stop-motion movies of today. There was a screen showing what started out as wire-frames that evolve into more familiar PIXAR characters that we know. There were sketches, storyboards, color mood treatments, character movement studies, models, so much more that I easily lost sense of time. It would have been the perfect experience to bring kids of any age and find so much to talk about the creative imagination or just recall some favorite moments from these magical films.
This was definitely a highlight of the year.